Speaker

Meher McArthur
Meher McArthur is an Asian art historian specializing in Japanese art, with degrees from Cambridge University and London University’s School of Oriental and African Studies (SOAS). She was Curator of East Asian Art at Pacific Asia Museum, Pasadena, CA (1998-2006) and for over a decade has curated traveling exhibitions for International Arts & Artists (IA&A), most recently Washi Transformed: New Expressions in Japanese Paper (2021-2024). Her most recent exhibition SHIKI: The Four Seasons in Japanese Art opened at the Sturt Haaga Gallery at Descanso Gardens in February 2023. She was Creative Director for the Storrier Stearns Japanese Garden, Pasadena (2014-2020), Academic Curator for Scripps College, Claremont (2018-2020) and Art and Cultural Director for JAPAN HOUSE Los Angeles (2020-2022). Her major publications include Gods and Goblins: Folk Paintings from Otsu (PAM, 1999), Reading Buddhist Art (Thames & Hudson, 2002) and The Arts of Asia (Thames & Hudson, 2005), Confucius (Pegasus Books, 2011), Folding Paper: The Infinite Possibilities of Origami (IA&A, 2012), New Expressions in Origami Art (Tuttle, 2017), Washi Transformed: New Expressions in Japanese Paper (IA&A, 2021) and An ABC of What Art Can Be (The Getty Museum, 2010).

Speaker

Meher McArthur
Meher McArthur is an Asian art historian specializing in Japanese art, with degrees from Cambridge University and London University’s School of Oriental and African Studies (SOAS). She was Curator of East Asian Art at Pacific Asia Museum, Pasadena, CA (1998-2006) and for over a decade has curated traveling exhibitions for International Arts & Artists (IA&A), most recently Washi Transformed: New Expressions in Japanese Paper (2021-2024). Her most recent exhibition SHIKI: The Four Seasons in Japanese Art opened at the Sturt Haaga Gallery at Descanso Gardens in February 2023. She was Creative Director for the Storrier Stearns Japanese Garden, Pasadena (2014-2020), Academic Curator for Scripps College, Claremont (2018-2020) and Art and Cultural Director for JAPAN HOUSE Los Angeles (2020-2022). Her major publications include Gods and Goblins: Folk Paintings from Otsu (PAM, 1999), Reading Buddhist Art (Thames & Hudson, 2002) and The Arts of Asia (Thames & Hudson, 2005), Confucius (Pegasus Books, 2011), Folding Paper: The Infinite Possibilities of Origami (IA&A, 2012), New Expressions in Origami Art (Tuttle, 2017), Washi Transformed: New Expressions in Japanese Paper (IA&A, 2021) and An ABC of What Art Can Be (The Getty Museum, 2010).